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Scél Baili Binnbérlaig
"The Story of Baile Binnbérlach"

Editions

  • E. O'Curry (ed & tr), Lectures on the Manuscript Materials of Ancient Irish History (Dublin 1861) 482-475.
  • V. Hull  (ed), 'The Text of Baile Binnbérlach mac Buain from MS 23.N.10 of the Royal Irish Academy', The Journal of Celtic Studies 1 (1950) 94-97.
  • K. Meyer (ed & tr), 'Scél Baili Binnbérlaig', RC 13 (1892) 220-227.
  • K. Meyer (ed & tr), Hibernica Minora (Oxford 1894) 84.  (a fragment from Rawlinson B. 512)

Manuscripts

  • Rawlinson B.512, fol. 122b (a fragment of about the first ten lines)
  • British Library, MS Harleian 5280, fol. 48a
  • Trinity College, MS H.3.18, p. 48
  • Royal Irish Academy, MS 23.N.10, pp. 129-130

Date

  • Middle Irish period.  It has been dated to the 11th century by Knott and Murphy (Early Irish Literature 136)

Characters

  • Baile mac Buain, son of Buan, the eponymous ancestor of Dál mBuain (a sept of Clanna Rudraige).
  • Ailill ingen Lugdach meic Fegusa, Leinster-woman in love with Baile.  A variant recorded in the tale notes that other sources make her the daughter of Éogan mac Dathí.
  • Art mac Cuinn, king of Tara from Dál Cuinn
  • Mentioned but playing no part in the narrative is Dúnlaing mac Énna Níad, the eponymous ancestor of the Uí Dúnlainge.
Notes
  • The copy of the story in Harl. 5280 makes use of a number of archaic Irish, Latin, and Hebrew words.
  • For the story of Dúnlaing's massacre of the maidens at Tara, see Comram na Clóenfherta.
Summary

Though they have never met, Ailill of Leinster and Baile of Ulster fall in love and make arrangements to meet one another at Ros na Ríg in Brega.  While awaiting his lover at the appointed place, Baile and his men are rapidly approached by something called an elpait (an obscure Irish word presumably indicating some sort of supernatural entity).  The creature falsely tells Baile that Aillinn has been killed.  He further says that druids had predicted that the two lovers were not destined to meet in life, but would become inseparable after death.  At this news, Baile mac Buain drops over dead.  His men bury him in the traditional style of Ulster warriors--his grave is dug, his ogam stone is erected, and his funeral games are celebrated.  Soon a yew tree grows up from his grave, the top of which comes to bear the likeness of Baile’s head.

Next the elpait hastens to Leinster and tells Aillinn that Buan is dead, whereupon she too dies and is buried.  An apple tree sprouts from her grave, the top of which forms the shape of Aillinn’s head.  After seven years, the filid cut down each tree, making each into a taball filed (poet’s tablet), upon which they write the ‘visions, feasts, loves, and wooings of the Ulaid’ (físe 7 fese 7 serca 7 tochmarca Ulad).  At Samain, the filid take these tablets to the feast being held by Art mac Cuinn (Cormac mac Airt in another version).  As the king holds the tablets in his hands, the one jumps upon the other.  They fuse together such that they cannot be separated.  Art has it deposited in the treasury at Tara, where it remained until Dúlaing destroyed the maidens of Tara.






Copyright 2004-5 Dan M. Wiley.  Last updated 11/14/05